‘Get Out of It,’ Zoe Kravitz’s directorial debut, attempts to blend elements of ‘Get Out,’ ‘Knives Out 2,’ and ‘Midsommar,’ but ultimately fails to deliver a cohesive and impactful narrative. The film follows Frida (Naomi Ackie) and her roommate Sarah (Adria Arjona) as they become entangled in the world of Slater King (Channing Tatum), a tech billionaire known for his extravagant parties. While the acting of Frida and Sarah is commendable, holding the audience’s attention throughout the film, the plot itself falters, leaving viewers uncertain of its ultimate message. The film incorporates elements of social satire, a ‘Me Too’ commentary, and a revenge thriller, but none of these elements are fully developed, resulting in a film that feels disjointed and unfocused. While ‘Get Out of It’ touches on important themes, it fails to deliver a truly engaging or thought-provoking experience. Viewers looking for a sharp and compelling satire may be better served revisiting ‘Get Out’ or ‘Triangle of Sadness.’